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Re: [RESOGUIT-L] D James W.
Nashville Dobro - Michael
Intonation questio John Ris
Re: [RESOGUIT-L] I reso-man
Re: [RESOGUIT-L] I Jim Warr
Re: [RESOGUIT-L] N David Mc
Re: [RESOGUIT-L] I Larry Be
RE: [RESOGUIT-L] D Lynn Oli
RE: [RESOGUIT-L] I Lynn Oli
Re: [RESOGUIT-L] b kbrown
Need Cardine addre kbrown
Re: [RESOGUIT-L] b Kathy Ba
Roger Williams Mas Andy Kat
Re: [RESOGUIT-L] b kbrown
FYI: Dobro player Brad Bec
Re: [RESOGUIT-L] F Adriel
Re: [RESOGUIT-L] b Kathy Ba
Re: [RESOGUIT-L] b Kathy Ba
Re: [RESOGUIT-L] I Richard
Re: [RESOGUIT-L] I reso-man
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Subject:[RESOGUIT-L] Intonation question
Date:Wednesday, January 4, 2006  12:59:49 (-0500)
From:John Risdon <john_marie.risdon @.........ca>

I have what may be a silly question, however here goes:
 
On non-reso electric guitars the bridge is either adjustable for
individual string intonation, or on most acoustics (and some electrics)
the bridge is at a slant to allow for the differences between the high
strings and the low ones.  Resonator guitars that I have seen all appear
to have a bridge that is straight (perpendicular to the body).
Shouldn't it be at a bit of a slant to compensate as in other acoustic
guitars?  or does the use of a steel across the strings reduce the
difference in the strings that occurs when they are played by pressing
down against the fretboard?
 
John
 
John Risdon, B.A., PMP, CRM
PM Consultant
(613) 282-5240
 


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