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Re: [RESOGUIT-L] D James W.
Nashville Dobro - Michael
Intonation questio John Ris
Re: [RESOGUIT-L] I reso-man
Re: [RESOGUIT-L] I Jim Warr
Re: [RESOGUIT-L] N David Mc
Re: [RESOGUIT-L] I Larry Be
RE: [RESOGUIT-L] D Lynn Oli
RE: [RESOGUIT-L] I Lynn Oli
Re: [RESOGUIT-L] b kbrown
Need Cardine addre kbrown
Re: [RESOGUIT-L] b Kathy Ba
Roger Williams Mas Andy Kat
Re: [RESOGUIT-L] b kbrown
FYI: Dobro player Brad Bec
Re: [RESOGUIT-L] F Adriel
Re: [RESOGUIT-L] b Kathy Ba
Re: [RESOGUIT-L] b Kathy Ba
Re: [RESOGUIT-L] I Richard
Re: [RESOGUIT-L] I reso-man
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Subject:Re: [RESOGUIT-L] Intonation question
Date:Thursday, January 5, 2006  17:56:37 (EST)
From:KCSteelPlayer <KCSteelPlayer @...com>

In a message dated 1/4/2006 12:20:43 PM Central Standard Time, 
reso-man@comcast.net writes:

> On the other hand, when I was playing Pedal Steel, I think it was Jeff 
> Newman, a great steel guitar instructor now sadly deceased,  who'd first worked 
> out an elaborate "tempered tuning" system  using the then new Korg tuner, that 
> would compensate for the peculiarities of the E 9th tuning and the various 
> changes caused by the floor pedals and the knee bars that this instrument 
> used.
> 

And the debate still rages on over on the steel guitar forum about it (and 
they've even corrected the terminology: you can't really Newman's tunings 
"tempered", they're Just Intonation tunings, while the rest of the world uses
Bach's 
Even Tempered Tuning), and some guy named Emmons has gone back to tuning 
everything straight on.
I think bar pressure accomplishes the same thing that the compensating bridge 
does, in answer to the original question.
FWIW, I tune nearly everything straight to zeros on the tuner, although I 
flatten the thirds just a hair (but not enough to bring them down to JI.  Both 
reso and the cheese slicer.

Lane Gray


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