eListas Logo
   The Most Complete Mailing Lists, Groups and Newsletters System on the Net
      HOME    SERVICES    SOLUTIONS    COMPANY    
Home > My Lists > resoguit-l > Messages

 Message Index 
 Messages from 2441 to 2460 
SubjectFrom
RE: [RESOGUIT-L] L John Ris
Re: [RESOGUIT-L] L Poobah
RE: [RESOGUIT-L] L Les Culp
RE: [RESOGUIT-L] L Les Culp
RE: [RESOGUIT-L] L John Ris
Scheerhorn L James Mc
Re: Tone Woods DeweySli
RE: [RESOGUIT-L] R James Mc
Re: [RESOGUIT-L] R Brad Har
RE: [RESOGUIT-L] R Matthew
RE: [RESOGUIT-L] R Mike Whi
Tone Woods MRGUITAR
Re: [RESOGUIT-L] R kbrown
Re: [RESOGUIT-L] T Brad Har
Re: [RESOGUIT-L] R slider
Re: Tone Woods DeweySli
Re: [RESOGUIT-L] R DeweySli
RE: [RESOGUIT-L] R Mike Arm
RE: [RESOGUIT-L] R Lynn Oli
Re: [RESOGUIT-L] R Jim Norm
 << Prev. 20 | Next 20 >>
 
RESOGUIT-L
Main page    Messages | Post | Files | Database | Polls | Events | My Preferences
Message 2496     < Previous | Next >
Reply to this message
Subject:RE: [RESOGUIT-L] Re: Tone Woods
Date:Wednesday, January 25, 2006  08:37:04 (-0800)
From:Matthew Snook <matt @..........com>
In reply to:Message 2494 (written by James McNab)

I've had similar thoughts about the blindfold idea.  Keep in mind that I
recently fell in love and bought a beautiful maple guitar anyway, but I'm
not convinced that wood provides the primary character of the instrument
(for resos).  At Wintergrass last year (it's only a few weeks away!) _the_
meeting place for reso-heads was the Greg Boyd shop, and the Mike Auldridge
Special was the reason.  He had several solid top resos from different
makers to compare, and of course the pickers had their assortment of
Scheerhorns, Beards, Raycos, Dobros and Deneves for even more comparison.
This laminated guitar captured everybody's attention.  The way it's finished
you can't even tell it's made of wood-jet black and shiny like a car.  It
sounded like the Beard E-bodies to me, but maybe a little more refined.  The
E's have more...twang.  Harmonics, overtones, whatever.  But maybe I'm
fooling myself.  Eenie-meanie-miney-mo, I later bought an E (lovin' it)!

After playing there I ended up playing the new Raycos-great guitars-and
visited another shop that had some customs and also the Beard Gold-Tones.
I'm not sure I could distinguish blindfolded the difference between that
gold-tone and some of the Raycos and customs.  It was a fabulous sound.  A
fellow who is just starting out listened as I played through the whole
stock, then promptly went back and bought the Beard Gold-Tone!

I would love to actually do the blindfold test.  It would be easy enough
with the great recording tools these days.  Somebody play the same tune on a
few different axes with identical recording setup, and don't tell us which
is which.  :)

But in a way it doesn't matter.  If you can't tell them apart, pick your
favorite.  If you can, then pick your favorite based on that.  They're all
great guitars with such subtle differences that it takes some serious
picking time to get the gist of it.  Talk about a win-win situation.

I could never tell the difference between Coke and Pepsi, either.

Matt

-----Original Message-----
From: James McNab [mailto:jimmcnab@hotmail.com] 
Subject: RE: [RESOGUIT-L] Re: Tone Woods

...I could tell which was was 
the rosewood and which one was the maple.  I don't think I have an 
exceptional gift or ear, but then again...


From: DeweySlideWell@aol.com
Subject: [RESOGUIT-L] Re: Tone Woods

joepa40@hotmail.com wrote:

...I think the design and construction are much more important
than the material used. Tone wood in a Dobro does more
for the picker than for the instrument itself.
The three most important things...

Services:  HomeList Hosting ServicesIndustry Solutions
Your Account:  Sign UpMy ListsMy PreferencesStart a List
General:  About UsNewsPrivacy PolicyNo spamContact Us

eListas Seal
eListas is a registered trademark of eListas Networks S.L.
Copyright © 1999-2006 AR Networks, All Rights Reserved
Terms of Service