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SubjectFrom
Re: [RESOGUIT-L] " Wayne La
Re: [RESOGUIT-L] " bobmcevo
Re: [RESOGUIT-L] " Wayne La
biscuit square nec Mike Arm
RE: [RESOGUIT-L] b Amy Wils
RE: [RESOGUIT-L] b Tim Mall
Re: [RESOGUIT-L] b howard
RE: [RESOGUIT-L] b Amy Wils
RE: [RESOGUIT-L] b Mike Arm
Re: [RESOGUIT-L]I mikelist
subject change Mike Arm
Re: [RESOGUIT-L]I Mike Whi
RE: [RESOGUIT-L]I Mike Arm
Re: [RESOGUIT-L] b Howard P
Re: [RESOGUIT-L] s Howard P
Re: [RESOGUIT-L] s Brad Bec
Re: [RESOGUIT-L]Tr howard
Re: [RESOGUIT-L]I s.cassad
RE: [RESOGUIT-L]I laruepor
Re: [RESOGUIT-L] D laruepor
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Subject:Re: [RESOGUIT-L]I don't see why...
Date:Thursday, March 30, 2006  14:57:35 (-0500)
From:mikelist <mikelist @...net>
In reply to:Message 3412 (written by Tim Mallery)

Tim Mallery wrote:

>This type of guitar (square neck/metal body/biscuit bridge) have been around
>since the late 1920's. Nothing new here...
>
>For playing blues on a square neck, this type of guitar is great. Obviously,
>you wouldn't play bluegrass on it.
>  
>
you couldn't play bluegrass with it. It has a tone more approaching a 
banjo, and would probably sound good on banjo breakdowns, and similar. I 
had a brass-bodied OMI duolian cone dobro, it wasn't as sweet as a 
spider-bridge instrument, but more complex tone than you might imagine.

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