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no new mail?? Martin3
Re: [RESOGUIT-L] n reso-man
Re: [RESOGUIT-L] n Josh bec
Re: [RESOGUIT-L] n kbrown
Josh, dobro lesson Billy Gi
Re: [RESOGUIT-L] J AJ Azure
Re: [RESOGUIT-L] n tower.op
no new mail? Now H CowboyTr
Houston lessons?? Billy Gi
Re: [RESOGUIT-L] n Betty Wh
Re: Hand on palmre Howard P
RE: [RESOGUIT-L] n Pete Gra
Re: [RESOGUIT-L] R Howard P
Re: [RESOGUIT-L] n Brad Har
Re;strap,handrest, Billy Gi
Re: [RESOGUIT-L] R Howard P
Re: [RESOGUIT-L] R Wally Hu
RE: [RESOGUIT-L] P John Gal
Re: [RESOGUIT-L] R reso-man
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Subject:[RESOGUIT-L] Re: Hand on palmrest
Date:Thursday, August 24, 2006  10:26:11 (-0400)
From:Howard Parker <hlpdobro @....net>
In reply to:Message 4614 (written by CowboyTrickroper.com)

CowboyTrickroper.com wrote:
>
> Having the hand off the palmrest also brings your hand closer to the 
> neck and changing the tone.
> 
> I will presume now that most dobro players on this list that play steel 
> probably adopt this style also. True??

==>imho you get to a point where you choose to block, or not.  Depending 
on the tune, your style, and the tonal characteristics you aiming for. 
You cant achieve some neat effects by blocking and it alows the player 
to get a lot of note separation.

I wouldn't try to use it on Pickaway....It sounds sweet on Lorena though!

YMMV
-- 
Howard Parker
hlpdobro@intr.net

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