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Re: [RESOGUIT-L] R reso-man
versatility. llobro
Re: [RESOGUIT-L] R Richard
RE: [RESOGUIT-L] H Josh bec
Re: DeNeve reso on Richard
Re: [RESOGUIT-L] R Brad Bec
Re: [RESOGUIT-L] n verkuyle
Re: DeNeve reso on CowboyTr
Re: [RESOGUIT-L] P laruepor
Re: [RESOGUIT-L] n kbrown
Re;Palm blocking Billy Gi
Re: [RESOGUIT-L] R JamesHAd
Re: [RESOGUIT-L] P KCSteelP
Re: [RESOGUIT-L] R laruepor
Re: [RESOGUIT-L] P laruepor
palm blocking Billy Gi
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Subject:Re: [RESOGUIT-L] Palm Blocking
Date:Thursday, August 24, 2006  22:31:35 (EDT)
From:KCSteelPlayer <KCSteelPlayer @...com>

In a message dated 8/24/2006 8:57:54 PM Central Daylight Time, 
laruepork@netzero.com writes:

> Is it a similar effect of dampening strings while you strike the strings 
> with yer left hand, bar 
> muting as another way of saying it, using left hand techniques to mute 
> strings, etc.? 
> 
> Only, yer using right hand, and the palm, to mute whilst striking strings? 
> 

The simplest way to describe it is to use the side of your hand (the one 
that's towards the coverplate strap) to mute the notes before you strike the
next 
one.
When reading about it in the various steel guitar instruction manuals, it 
perplexed me, but a lesson from St Mike removed the mystery: you just let the 
meat of your hand drop onto the strings before you lift your hand for the next 
note.  The key lies in lifting your hand no more than necessary to feel 
comfortable picking and dropping your hand no more than necessary to cut off the

notes.  Just like everything else the pros do, the key is "economy of motion." 
Try 
to make it look effortless, like you're barely moving, rather than making it 
look like you're struggling to get your hands to get the job done.

Lane


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