| Subject: | Re: [RESOGUIT-L] "loud" trees?? | | Date: | Monday, October 2, 2006 13:31:43 (+0000) | | From: | reso-man <reso-man @.......net>
|
Hey Thomas,
Would I love to get down to IBMA one day. Hasn't happened yet tho. I have
found that my "Blackie" DeNeve will hold it's own in just about any situation.
She may not be the "fanciest" or the "purtiest", but she sure sounds great, (in
spite of her owner,) and she always manages to make herself heard. The wood
must've come from a "loud" mahogany tree or something?
I hope "Blackie" is as happy with me as I am with her!
I also have "Sadie" Sho-Bro who is wonderful for going around field picking and
"aggravating" people, and Jr. tells me he's got "Sophie" Sho-Bro, my other sq.
neck, sounding kinda almost like a Sch.......well I CAN'T WAIT to hear what he's
come up with, and done to ol "Sophie". Wowza!
Life is good, MUCH better since I started messing with these reso-guitars. I've
got a lot to learn......
Rest in peace, Josh,
Richie
-------------- Original message --------------
From: "Thomas Thorpe" <tthorpe@msn.com>
I played my DeNeve at IBMA and it held up just fine with all the other fine
instruments down there. Richie, I missed you and Blackie down there, though....
From: Richard DeNeve <richard_d13132@yahoo.com>
Reply-To: resoguit-l@elistas.com
To: resoguit-l@elistas.com
Subject: Re: [RESOGUIT-L] a mike option (wasPick Recovery )
Date: Wed, 27 Sep 2006 12:38:53 -0700 (PDT)
>Lane,
>
>Audio-Technica makes a little gooseneck condenser mike
>(the Pro 35) that clips directly to a lyre or
>poinsettia cover plate, or to a little clip you can
>attach to a fan.
>
>Mine sits about 2 inches away from my hand, at about 2
>0'clock on the cover plate, and 3 inches away from the
>screen. I have never used it in an all-electric band,
>but they have to keep adjusting the volume down when I
>sit in with a band usingindividual condenser mikes.
>
>They claim the mike can take sound pressure levels of
>over 130 db without distortion. I play very loudly,
>and have never had a problem with distortion. The
>response is pretty flat from 80 - 18,000 cps. It has
>a 6-foot cord with the male XLR connector, requires
>phantom power (like most condenser mikes). The plug
>at the end of the cord can be attached to your guitar
>strap for better strength, so the small cord from the
>mike does not take the strain of a longer cord.
>
>You are a fixed distance from the mike, so you play
>loud or soft to vary the volume to the PA system.
>Also, there is no on/off switch, so you have to be
>carfeful where you point it during rests and
>intermission.
>
>They also make a radio transmitter model of the same
>mike (Pro 45?), that sends to a receiver at the amp,
>which plugs into a hi-Z input. This transmitter does
>have an output level control, and an on/off switch, so
>you can have some control over your volume, and can
>move about on stage more freely.
>
>I have one of the transmitter types, and two of the
>wired types, and I like them very much. I am playing
>with a second band, which uses two of the large
>condenser mikes and moves around them for breaks.
>Since I can no longer stand to play, this little mike
>has been very useful with this band.
>
>I think Shure also makes a similar mike, but have no
>experience with it.
>
>The A-T mikes can be had for about $160, and the
>transmitter syustem is about the same.
>
>The usual disclaimers.
>
>Dick DeNeve
>
>--- KCSteelPlayer@aol.com wrote:
>
>(snip)
> As
> > soon as I get around to putting
> > a pickup on the Dobro, I think I'm gonna play it,
> > but with a Tele and a
> > plugged-in fiddle which runs through a Nashville
> > 1000 (what does a fiddle player
> > need 300 W RMS for?), a mic just ain't gonna cut it.
> >
>
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