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Re: [RESOGUIT-L] I Betty Wh
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Re: [RESOGUIT-L] S reso-man
RE: [RESOGUIT-L] S Lynn Oli
Re: [RESOGUIT-L] S Tom Foot
Beard on Ebay Jim Warr
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Subject:Re: [RESOGUIT-L] Is Bluegrass the new Jazz
Date:Saturday, March 24, 2007  14:22:46 (+0000)
From:reso-man <reso-man @.......net>

Chet says he can change strings in less time than it takes to tell about it.  I
think he's still using those Planet Waves tuning keys, that have the built in
string cutter, and the knurled knob on the underneath that "locks" the string in
the hole on the peg.  I have a set of these on "Blackie" and yeah, I can see
where putting the end of the string on the tuning key first, locking it in place,
then hooking the ball end of the string under the palm rest and into the
tailpiece and tuning it up to pitch, might be a bit quicker.

After years of changing strings on PSGs (aka double barreled egg slicer) I think
changing strings on Resos is a piece of cake......like what's the rush?  Besides,
Euphonons are so che.....I mean affordable, all paying gigs should enjoy fresh
strings, and non paying gigs......who cares how long it takes?

signed,

"Pokey"

-------------- Original message -------------- 
From: Tom Foote <footet@evergreen.edu> 

> 
> On Mar 23, 2007, at 4:43 PM, reso-man@comcast.net wrote: 
>> apparently "Isn't She Lovely" was a sleeper tune for those 
> guys.... Rob thanked someone from the stage at IBMA for "calling this 
> beautiful 
> song to our attention." 
> 
>and at that price, there ain't no excuse.. and 
> speaking of changing strings I saw someone 
> at Wintergrass (don't remember who it was now that I think 
> about it.. I'll have to ask Howard if it 
> was Chet ) anyway, whoever it was wound the string on the 
> tuning pegs of the reso first.. i.e., 
> put about 2 turns on the tuning peg then fitted the ball end 
> in the whole in the tailpiece as the second 
> step..and then wound the string up to pitch. I've never seen 
> that one before.. seemed to work okay and 
> was a lot faster than the way I do it. Anybody out there do 
> that? 
> 
> 
> 
> 
> 

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