| Subject: | Re: [RESOGUIT-L] RE: Loudbox Performer | | Date: | Monday, June 18, 2007 01:38:05 (-0400) | | From: | AJ Azure <azure.music @.......net>
|
| In reply to: | Message 6910 (written by Matthew Snook) |
My group played a venue last week where the audience talks during your sets.
If that's' not lame enough, imagine feedback hell. The sound system was
decent ands the mics were SM-57s. So nothing special but, with the noise
floor of a Boston singles bar, forget it!
Now in contrast we played a small club today and people listened (mainly
because, there were musicians in the audience) and I could use a wide
condenser for myself and our vocalist. Sounds awesome! She is a serious
belter and the condenser allows her to move away from the mic. It also
allows me to shift to different parts of the guitar when playing (even if I
am sitting). I wouldn't necessarily want to try this in a large hall but, I
really prefer the large condenser as my first line of amplification.
_Adriel
> From: Matthew Snook <matt@snooksband.com>
> Reply-To: <resoguit-l@elistas.com>
> Date: Sun, 17 Jun 2007 21:22:30 -0700
> To: <resoguit-l@elistas.com>
> Subject: [RESOGUIT-L] RE: Loudbox Performer
>
> I play through an AKG bug wireless for the same reason. I love not being
> tethered either to the mic or a wired pickup. OK, so you still have to be
> on the foot pedal occasionally. Once you get used to it though, it's very
> hard to go back. And I never miss the feedback of trying to mic a dobro in
> a noisy hall. Like anybody else, when the room is acoustically perfect, and
> the audience perfectly quiet, then a good mic is hard to beat. But then you
> can probably pay au naturel (acoustically speaking) and get away with it...
> House concerts are great.
>
> I'd like to try one of those Fishman amps.
>
> Matt
>
>
>
> -----Original Message-----
> From: Howard Parker [mailto:hlpdobro@intr.net]
> Subject: [RESOGUIT-L] Loudbox Performer
>
> Got a call to stand in at a gig this week...
>
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