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Wind Gap Jim Warr
Beard Maple E for mhardee2
Re: [RESOGUIT-L] W reso-man
RE: Wind Gap Randolph
Gene Wooten Lick f Mark Gar
Fw: Missing girl Bob Mart
Loudbox Performer Howard P
RE: Loudbox Perfor Matthew
Re: [RESOGUIT-L] R AJ Azure
Re: [RESOGUIT-L] R theweave
Bootleg Instructio howard
Re: [RESOGUIT-L] B Mike Mau
Re: [RESOGUIT-L] G Richard
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Re: [RESOGUIT-L] G billinwa
Re: [RESOGUIT-L] G bobmcevo
Fw: THIS IS REALLY Bob Mart
Fw: (no subject) Bob Mart
Re: [RESOGUIT-L] F AJ Azure
Re: [RESOGUIT-L] F dobro87
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Subject:Re: [RESOGUIT-L] RE: Loudbox Performer
Date:Monday, June 18, 2007  12:23:47 (-0400)
From:theweavers <theweavers @......net>
In reply to:Message 6911 (written by AJ Azure)

What kind of wide condenser do you use?  Thanks.

 My group played a venue last week where the audience talks during your
> sets.
> If that's' not lame enough, imagine feedback hell. The sound system was
> decent ands the mics were SM-57s. So nothing  special but, with the noise
> floor of a Boston singles bar, forget it!
>
> Now in contrast we played a small club today and people listened (mainly
> because, there were musicians in the audience) and I could use a wide
> condenser for myself and our vocalist. Sounds awesome! She is a serious
> belter and the condenser allows her to move away from the mic. It also
> allows me to shift to different parts of the guitar when playing (even if
> I
> am sitting). I wouldn't necessarily want to try this in a large hall but,
> I
> really prefer the large condenser as my first line of amplification.
>
> _Adriel
>
>
>> From: Matthew Snook <matt@snooksband.com>
>> Reply-To: <resoguit-l@elistas.com>
>> Date: Sun, 17 Jun 2007 21:22:30 -0700
>> To: <resoguit-l@elistas.com>
>> Subject: [RESOGUIT-L] RE: Loudbox Performer
>>
>> I play through an AKG bug wireless for the same reason. I love not being
>> tethered either to the mic or a wired pickup.  OK, so you still have to
>> be
>> on the foot pedal occasionally.  Once you get used to it though, it's
>> very
>> hard to go back.  And I never miss the feedback of trying to mic a dobro
>> in
>> a noisy hall.  Like anybody else, when the room is acoustically perfect,
>> and
>> the audience perfectly quiet, then a good mic is hard to beat.  But then
>> you
>> can probably pay au naturel (acoustically speaking) and get away with
>> it...
>> House concerts are great.
>>
>> I'd like to try one of those Fishman amps.
>>
>> Matt
>>
>>
>>
>> -----Original Message-----
>> From: Howard Parker [mailto:hlpdobro@intr.net]
>> Subject: [RESOGUIT-L] Loudbox Performer
>>
>> Got a call to stand in at a gig this week...
>>
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>
>
> ---------------------------------------------------------------------
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> For neat stuff go to http://www.resoguit.com
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>


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