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Double Thumbing Fred
Re: [RESOGUIT-L] D Peter Ny
RE: [RESOGUIT-L] D Lynn Oli
Re: [RESOGUIT-L] D Peter Ny
Re: [RESOGUIT-L] D Jim Warr
Re: [RESOGUIT-L] D Howard P
Re: [RESOGUIT-L] R Ben Woot
RE: Joshs' Style Randolph
Re: [RESOGUIT-L] D drubin3
Re: [RESOGUIT-L] D David Mc
Re: [RESOGUIT-L] R Ralph Fa
Re: [RESOGUIT-L] R Pete Rei
Re: [RESOGUIT-L] R don.herg
Re: [RESOGUIT-L] R Tim Grav
Re: [RESOGUIT-L] D Hugh Ash
Re: [RESOGUIT-L] D D. Tanne
Re: [RESOGUIT-L] D laruepor
Re: [RESOGUIT-L] D PHIL LEA
Re: Re: [RESOGUIT- Greg Tuc
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Subject:Re: [RESOGUIT-L] RE: Joshs' Style
Date:Sunday, July 1, 2007  13:02:56 (-0400)
From:Ralph Falkenburg <falkenburg.r @.....com>


> Now along comes Josh who had been playing with Esco Hankins & Wilma
> Lee and Stoney Cooper in the late 40's and early 50's. Josh had a very 
> strong Blues influence in his playing style as he spent many hours picking 
> with many black blues players during his formative years and long after he 
> had established himself. Since the first four strings on a banjo are tuned 
> the same as a Dobro he became interested in learning the three fingered 
> banjo roll which Earl Scruggs was having so much success with, he picked 
> Earls brain backstage whenever Flatt & Scruggs would be working in the 
> same venue where he was. The result of him perfecting the three fingered 
> roll on the Dobro gave a much fuller sound to his playing as well as 
> increased speed.

---------------------------------------------


Out of all possible tuning on Resoguits and Steel Guitars the tuning 
mentioned above is of course known as Open G.
The notorious Keith Richards uses it too but on a Strat.
He takes the 6th string off of one of his axes.

My own preference for bottleneck is Open D.

Rafael 

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