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Subject:Re: [RESOGUIT-L] Ickes Speech presenting IBMA Award to Mike Auldridge
Date:Friday, October 5, 2007  15:33:07 (+0000)
From:reso-man <reso-man @.......net>

Wow Betty,

Thank you for a wonderful post to the list.  It was almost like being there. 
I'm just trying to imagine what actually being present was like.  Incredible!

Richie

-------------- Original message -------------- 
From: "Betty Wheeler" <bettywheeler@gmail.com> 

> For those who were unable to be present at the IBMA Special Awards Luncheon 
> yesterday when the Distinguished Achievement Award was presented to Mike 
> Auldridge, here is the text of Rob's speech presenting the award. There 
> were two large screens on either side of the stage showing the photographs 
> described in parentheticals, and the music that was played is also described 
> in parentheticals. 
> 
> There was a huge standing ovation by a very full house, and it was a very 
> moving event for all of us privileged to be present. 
> 
> -Betty 
> 
> 
> 
> 
> *DISTINGUISHED ACHIEVEMENT PRESENTATION – Mike Auldridge* 
> 
> * * 
> 
> (photos to show onscreen during presentation, in synch with 
> script) 
> 
> 
> 
> (Intro music: *Pickaway*, fade as Rob is ready to speak) 
> 
> (photo: Mike leaning on tree) 
> 
> (photo: Mike with Josh Graves) 
> 
> 
> 
> Mike Auldridge has described his life's course as follows: "Josh Graves 
> basically defined what I was going to do with my life when I was 14 years 
> old. That first encounter sealed my fate." 
> 
> 
> 
> (photo: Mike with first Dobro & brother Dave) 
> 
> 
> 
> Today, we pay tribute to the lifetime achievements that 14-year-old went on 
> to attain, and to a man who has himself inspired and sealed the fate of so 
> many others, myself included. 
> 
> 
> 
> (photo: album cover: *Mike Auldridge Dobro)* 
> 
> 
> 
> Listen to these opening notes of "Tennessee Stud"* *from Mike's first solo 
> album, *Dobro*, released in 1972: 
> 
> 
> 
> * *(Music: " Tennessee Stud"* *00:00 to 00:25) 
> 
> 
> 
> From those first few bars, it was clear: Mike Auldridge had set a new 
> standard for tone on the Dobro. To this day, that tone is the holy grail of 
> contemporary resophonic guitar players. 
> 
> 
> 
> (photo: Emerson & Waldron, 1969) 
> 
> 
> 
> This seminal album, along with his performances and other recordings in the 
> '60s and '70s, provided early evidence of the significant innovations that 
> would form his rich legacy not only to the world of the Dobro, but also to 
> bluegrass music and to music in general. 
> 
> 
> 
> (photo: side view of Mike with sideburns playing Dobro) 
> 
> 
> 
> He stretched the boundaries of the instrument in terms of technique, musical 
> vision and elegant taste firmly rooted in a "less is more" ethic. 
> 
> 
> 
> (photo: Mike Auldridge with band in Columbia, Md. 1974) 
> 
> 
> 
> He stretched the reach of the instrument by performing with such varied 
> musicians as Linda Ronstadt, Lowell George, Emmylou Harris, Vassar Clements 
> and Tony Rice. 
> 
> 
> 
> (photo: Tony Rice & Mike) 
> 
> 
> 
> He embraced nontraditional instrumentation such as drums along with 
> nontraditional repertoire. As Jerry Douglas has observed, "His gift to us 
> has been the grace and effortless adaptation to all forms of music, always 
> keeping his bluegrass roots showing." 
> 
> 
> 
> (additional photos of bands—Waldron, Seldom Scene, 
> Chesapeake, Auldridge/Bennett 
> & Gaudreau, John Starling & Carolina Star, Good Deale Bluegrass Band) 
> 
> 
> 
> His musical collaborations have included such notable bands as Emerson & 
> Waldron; Cliff Waldron and New Shades of Grass; The Seldom Scene, of which 
> Mike was a founding member; Chesapeake; Auldridge, Bennett & Gaudreau; and 
> his current bands, John Starling & Carolina Star and the Good Deale 
> Bluegrass Band. 
> 
> 
> 
> (photo: Mike with Jim Heffernan & Hal Rugg) 
> 
> 
> 
> In addition to his legacy on the 6-string Dobro, his passions have also led 
> him to create a strong body of work on the 8-string resophonic guitar and 
> pedal steel, including collaborations with Jeff Newman, Hal Rugg & Jim 
> Heffernan. This clip from "Little Rock Getaway" is from his highly 
> influential 1988 album, *Eight-String Swing*. 
> 
> * * 
> 
> * *(Music: *Little Rock** Getaway*, 00:00 to 00:20 ) 
> 
> 
> 
> (photo: current close-up of Mike holding Beard reso guitar) 
> 
> 
> 
> It is also worth noting that his love of the instrument gave rise to a 
> collaboration with Paul Beard to produce a signature resophonic guitar, in 
> both 6- and 8-string versions, that incorporates Mike's aesthetic and sonic 
> values. 
> 
> 
> 
> (photo: back to first photo of Mike, leaning against tree) 
> 
> 
> 
> Today Mike carries within him, in full force, the passion he developed for 
> the Dobro in his early years. His active schedule guarantees many additions 
> to a substantial body of work in times to come. But it is fitting to 
> pause today, with the international bluegrass community gathered together, 
> to recognize the distinguished achievements of one of the foremost musical 
> masters of our times: Mike Auldridge. 
> 
> 
> 
> (Music: *Wait a Minute *from 00:00 ; fade as Mike is ready to 
> speak) 
> 
> * * 
> 
> ** 
> 

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