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Re: [RESOGUIT-L] A D. Tanne
Re: [RESOGUIT-L] I DOBROBO1
Re: [RESOGUIT-L] T reso-man
ResoSummit Recorde Andy Kat
Re: [RESOGUIT-L] R David Ve
Re: [RESOGUIT-L] R Dave Dil
RE: [RESOGUIT-L] S bobmcevo
Reso-summit Charlie
Re: [RESOGUIT-L] R Lynn Oli
RE: [RESOGUIT-L] R Dave Gle
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Re: [RESOGUIT-L] R Lee Hier
RE: Strings change Gary Mil
Re: [RESOGUIT-L] P Jim Elle
Re: [RESOGUIT-L] R Andy Kat
RE: slash-tab (was Matthew
Lokking for a Sche jarrettl
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Subject:Re: [RESOGUIT-L] Lokking for a Scheerhorn L-body
Date:Saturday, October 27, 2007  13:42:01 (-0600)
From:Rob Rogers <RobR @......net>

Howard

I was meaning the used Scheerhorn prices are going to inspire (?) 
copycat ( I don't mean that in a disparaging way) makers to make new 
guitars that sound like the Scheerhorn (by making copies) for a lot 
less than the used (vintage) Scheerhorn.

I don't think there would be much of a market for a Dobro (tm) copy.

And besides, the Gibson police have already passed through my town and 
I thought I was safe saying dobro, not Dobro (tm).<LOL>

Rob


On Oct 27, 2007, at 11:37 AM, Howard Parker wrote:

> Rob Rogers wrote:
>> On Oct 26, 2007, at 11:17 AM, Dobroeddie@aol.com wrote:
>>> I'm afraid that now that Tim has ceased production, the price of 
>>> these
>>> instruments is going to skyrocket. Lots of luck finding one at a 
>>> decent  price.
>>>
>> In the vintage flat top guitar world market I know of guys making a 
>> handsome living making exact (and I do mean exact) copies of the 
>> 1930's to 1950's Martin guitars.  I don't know of anyone doing this 
>> in the dobro market, but at these prices it won't be long.
>
> ==>Dunno about that as vintage Dobro(tm) were highly variable in 
> quality.  A significant percentage of them were basically c*%^*p.  :-)
>
> Doesn't seem like a good investment to me.
>
> ymmv
>
> h
> -- 
> Howard Parker
> hlpdobro@intr.net
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