| Subject: | Re: [RESOGUIT-L] Diminished Runs | | Date: | Sunday, January 20, 2008 08:47:35 (GMT) | | From: | laruepork <laruepork @.......net>
|
Mr. Johnson, I've been in awe of some youtube stuff I've seen of your work, and
the items you post on your website. Thanks for all of that! And for your music
over the years. Thank you VERY much!!!!
"The four chord in this example is not sharp. the chord following the four is a
sharp four and its type (major,minor, seventh, diminished) is diminished."
Smack, phreakin right on dab to the heart of what I didn't get.
You cut to the core of my confusion!!!!
Was anyone else, a beginner like me, as deeply in the dark on this as I was?
Dang, yer good Mr. Johnson! *G*
Lemme see if I got this straight.
In Cmaj, the 4 is F. The 4# of C is F#maj?
That triad is F#, A#, C#? All maj.
The diminished chord of an F# triad would be a minor 3rd (C, flat the 3rd of A#)
and a diminished (I am SO lost at this point, what the HECK is a dim5th above the
root of F#?) 5th above the root, F#?
I just did some googling to get to that.
Man is my head spinning.
This is like singing parts.
No WONDER classical theorists know this stuff better! Takes years!!!
Thanks Howard, and Mr. Johnson, for some GREAT learning online!
Twangs got the credit card. ;-)
"The Sun's Shining, The Birds Are Singing, My Glass Is Half Full.
That's My Story, And I'm Sticking To It!"
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Re: [RESOGUIT-L] D
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