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Re: Blue Highway: Andy Kat
info on cyclops wa Dbw45cal
REMOVE FROM EMAIL Carl McL
Re: [RESOGUIT-L] R Brad Har
(no subject) LGATLIN
RE: [RESOGUIT-L] C Pete Gra
Re: [RESOGUIT-L] R bobmcevo
Re: [RESOGUIT-L] C Tom Foot
Re: [RESOGUIT-L] C reso-man
Re: [RESOGUIT-L] R reso-man
RE: [RESOGUIT-L] C Kathy Ba
Reso-oriented work Tom Foot
RE: [RESOGUIT-L] R Gene Fre
Re: [RESOGUIT-L] C banjer60
Dobro Intensive Ju Tom Foot
AW: [RESOGUIT-L] C Rene Ser
Re:wanted to buy G LGATLIN
Re: [RESOGUIT-L] D Tim Dawd
Re: [RESOGUIT-L] D PHIL CAT
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Subject:RE: [RESOGUIT-L] Cross picking
Date:Tuesday, February 19, 2008  00:41:47 (-0800)
From:Pete Grant <pete @.........com>

 > I'm having a hard time thinking about the term "crosspicking" applied
> to a fingerpicking roll. Seems to me it's a flatpicking guitar or
> mandolin technique designed at least in part to mimic a (usually)
> forward banjo (or dobro) roll. So on a dobro, it's a "roll."

Do a 'roll' with T T I T T I T I or T T M T T M T M. I like doing that and do it
as well as T I M T I M T I, etc. It's a bit of a different sound, and to me is
often more than a little punchier.

BTW, Kathy, it was great playing double dobro with you the other nite with you
on your killer Randy Allen guitar and me on the 8-string National Model D.
Looking forward to being your capo on Little Maggie in B.

Pete
Auburn, California

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