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Re: Blue Highway: Andy Kat
info on cyclops wa Dbw45cal
REMOVE FROM EMAIL Carl McL
Re: [RESOGUIT-L] R Brad Har
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RE: [RESOGUIT-L] C Pete Gra
Re: [RESOGUIT-L] R bobmcevo
Re: [RESOGUIT-L] C Tom Foot
Re: [RESOGUIT-L] C reso-man
Re: [RESOGUIT-L] R reso-man
RE: [RESOGUIT-L] C Kathy Ba
Reso-oriented work Tom Foot
RE: [RESOGUIT-L] R Gene Fre
Re: [RESOGUIT-L] C banjer60
Dobro Intensive Ju Tom Foot
AW: [RESOGUIT-L] C Rene Ser
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Subject:RE: [RESOGUIT-L] Cross picking
Date:Tuesday, February 19, 2008  09:55:45 (-0800)
From:Kathy Barwick <kathybarwick @.........net>
In reply to:Message 8805 (written by Pete Grant)

yep that was pretty dang fun, Pete. We couldn't be more different in how we
approach the 'bro, and that always makes it interesting.
   
  So I still don't get the crosspicking terminology for this stuff. What you
describe here is still a forward roll, but with different fingering. The only way
I can get it work semantically is to think of the thumb crossing the index to a
higher string. Like this: playing strings 4-3-2-1, fingering T-I-T-M. Or
T-M-T-M....
   
  oh well, I guess it's all in how we (individually) look at it.
  
Pete Grant <pete@petegrant.com> wrote:
  > I'm having a hard time thinking about the term "crosspicking" applied
> to a fingerpicking roll. Seems to me it's a flatpicking guitar or
> mandolin technique designed at least in part to mimic a (usually)
> forward banjo (or dobro) roll. So on a dobro, it's a "roll."

Do a 'roll' with T T I T T I T I or T T M T T M T M. I like doing that and do it
as well as T I M T I M T I, etc. It's a bit of a different sound, and to me is
often more than a little punchier.

BTW, Kathy, it was great playing double dobro with you the other nite with you
on your killer Randy Allen guitar and me on the 8-string National Model D.
Looking forward to being your capo on Little Maggie in B.

Pete
Auburn, California



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