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Re: [RESOGUIT-L] C reso-man
Re: [RESOGUIT-L] R reso-man
RE: [RESOGUIT-L] C Kathy Ba
Reso-oriented work Tom Foot
RE: [RESOGUIT-L] R Gene Fre
Re: [RESOGUIT-L] C banjer60
Dobro Intensive Ju Tom Foot
AW: [RESOGUIT-L] C Rene Ser
Re:wanted to buy G LGATLIN
Re: [RESOGUIT-L] D Tim Dawd
Re: [RESOGUIT-L] D PHIL CAT
Re: [RESOGUIT-L] C banjer60
RE: [RESOGUIT-L] D Gene Fre
Re: [RESOGUIT-L] D Tim Dawd
Re: [RESOGUIT-L] R Wally Hu
Re: [RESOGUIT-L] R Wally Hu
Dobro Chat Room eric abe
Re: [RESOGUIT-L] D Brad Bec
Re: [RESOGUIT-L] R Ben Woot
Just pulled my Dob worker
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Subject:RE: [RESOGUIT-L] Cross picking
Date:Tuesday, February 19, 2008  09:55:45 (-0800)
From:Kathy Barwick <kathybarwick @.........net>

yep that was pretty dang fun, Pete. We couldn't be more different in how we
approach the 'bro, and that always makes it interesting.
   
  So I still don't get the crosspicking terminology for this stuff. What you
describe here is still a forward roll, but with different fingering. The only way
I can get it work semantically is to think of the thumb crossing the index to a
higher string. Like this: playing strings 4-3-2-1, fingering T-I-T-M. Or
T-M-T-M....
   
  oh well, I guess it's all in how we (individually) look at it.
  
Pete Grant <pete@petegrant.com> wrote:
  > I'm having a hard time thinking about the term "crosspicking" applied
> to a fingerpicking roll. Seems to me it's a flatpicking guitar or
> mandolin technique designed at least in part to mimic a (usually)
> forward banjo (or dobro) roll. So on a dobro, it's a "roll."

Do a 'roll' with T T I T T I T I or T T M T T M T M. I like doing that and do it
as well as T I M T I M T I, etc. It's a bit of a different sound, and to me is
often more than a little punchier.

BTW, Kathy, it was great playing double dobro with you the other nite with you
on your killer Randy Allen guitar and me on the 8-string National Model D.
Looking forward to being your capo on Little Maggie in B.

Pete
Auburn, California



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